Artist Books > Hermes, the Epiphytes > Lecanopteris Mirabilis
Lecanopteris Mirabilis

3
One can easily overlook the fern
called lecanopteris mirabilis,
especially in a rainforest with other ferns.
Like other ferns,
the leaves of a lecanopteris mirabilis
consist of a long straw like axis
where smaller leaves are attached symmetrically.
It looks old,
prehistoric, and from another time.
The lecanopteris mirabilis also appears
sickly, as if age has gotten the best of it:
its skin is covered in moles, and
it grows out of a giant wart-like rhizome.
called lecanopteris mirabilis,
especially in a rainforest with other ferns.
Like other ferns,
the leaves of a lecanopteris mirabilis
consist of a long straw like axis
where smaller leaves are attached symmetrically.
It looks old,
prehistoric, and from another time.
The lecanopteris mirabilis also appears
sickly, as if age has gotten the best of it:
its skin is covered in moles, and
it grows out of a giant wart-like rhizome.

7
The wine kept welling up in
the mixing bowl all by itself,
but this was our doing.
Pious Baucis and sweet Philemon were
embarrassed by the phenomenon and
wanted to kill
their only goose for us to eat.
They tried to catch the animal, but
their frail bodies could not move fast enough.
We told them to just let the goose live;
spring was coming.
the mixing bowl all by itself,
but this was our doing.
Pious Baucis and sweet Philemon were
embarrassed by the phenomenon and
wanted to kill
their only goose for us to eat.
They tried to catch the animal, but
their frail bodies could not move fast enough.
We told them to just let the goose live;
spring was coming.

8
Zeus and I told Philemon and Baucis to
climb to the highest point that they could,
so that we could punish the
thousands of people who did not shelter us.
The old couple did as we told, and
when they turned around they saw
everything covered with water,
except for their house.
They heard the cries of
mothers wailing,
and some patches of water
turned a pomegranate color.
What was their small house,
we turned into a temple and
Zeus granted them one wish.
climb to the highest point that they could,
so that we could punish the
thousands of people who did not shelter us.
The old couple did as we told, and
when they turned around they saw
everything covered with water,
except for their house.
They heard the cries of
mothers wailing,
and some patches of water
turned a pomegranate color.
What was their small house,
we turned into a temple and
Zeus granted them one wish.

10
They took care of the temple and
one day their wish came true.
Philemon saw Baucis, and
Baucis saw Philemon
sprout.
The moles on her skin became spores
as her face split into bundles of leaves,
her hair twisting into long shoots.
The warts on his body merged
into one
as his body collapsed into lumps
of woody material.
one day their wish came true.
Philemon saw Baucis, and
Baucis saw Philemon
sprout.
The moles on her skin became spores
as her face split into bundles of leaves,
her hair twisting into long shoots.
The warts on his body merged
into one
as his body collapsed into lumps
of woody material.

12
If you were to see one in the rainforest,
you might notice that
there are ants crawling all over this plant.
That is because the lecanopteris mirabilis and
the ants share a mutual relationship.
Inside the rhizome of the lecanopteris mirabilis
are tunnels, cool coiling tunnels
for the ants to thrive.
The tunnels keep evolving because
the ants continue to crawl all over
the intricate body of the lecanopteris mirabilis
making it unattractive to herbivores.
The lecanopteris mirabilis trusts the ants
but if the ants cheat the relationship
by not showing their fleshy bodies to
hungry butterflies and parrots,
it can stop growing the nutritious tunnels.
you might notice that
there are ants crawling all over this plant.
That is because the lecanopteris mirabilis and
the ants share a mutual relationship.
Inside the rhizome of the lecanopteris mirabilis
are tunnels, cool coiling tunnels
for the ants to thrive.
The tunnels keep evolving because
the ants continue to crawl all over
the intricate body of the lecanopteris mirabilis
making it unattractive to herbivores.
The lecanopteris mirabilis trusts the ants
but if the ants cheat the relationship
by not showing their fleshy bodies to
hungry butterflies and parrots,
it can stop growing the nutritious tunnels.

18
If an epiphyte thrives in an environment,
there is no need for
sexual reproduction—the production of
an individual.
Vegetative reproduction—the production of
a clone, is preferable
as it maintains the harmony with the habitat.
The population stays strong;
it becomes a biomass of
genetically identical organisms physically
separate in every way.
there is no need for
sexual reproduction—the production of
an individual.
Vegetative reproduction—the production of
a clone, is preferable
as it maintains the harmony with the habitat.
The population stays strong;
it becomes a biomass of
genetically identical organisms physically
separate in every way.

24
Lecanopteris Mirabilis
This unique artist book was written and created by the artist,
Tammy Nguyen.
The italicized texts were taken from the following:
Homer. The Iliad of Homer. Trans. Richmond Lattimore. Illus. Leonard Baskin. Chicago: The University of Chicago Press,
1962. Print.
Ovid. Metamorphoses. Trans. Stanley Lombardo. Indianapolis/Cambridge: Hackett Publishing Company, Inc., 2010. Print.
The papers used in this book include 120g Magnani Arturo
Celadon, a variety of Japanese rice papers, 90lb Stonehenge Fawn, and Yupo paper. Images are drawn with ink pen and colored
pencil. The printing methods used include intaglio and silkscreen. The book is wrapped in silk and the boards are made from 1/4” MDF and 1/8” hardboard. The adhesives used include Jade glue and Gudy-O. Aluminum posts are used where parts pivot. The fonts used include Quadrata Roma Medium Oblique 25pt and Calisto MT Regular and Italic, 30pt.
This book is one of three in the series: Hermes, the Epiphytes.
Copyright © 2014
[signed]
Tammy Nguyen
This unique artist book was written and created by the artist,
Tammy Nguyen.
The italicized texts were taken from the following:
Homer. The Iliad of Homer. Trans. Richmond Lattimore. Illus. Leonard Baskin. Chicago: The University of Chicago Press,
1962. Print.
Ovid. Metamorphoses. Trans. Stanley Lombardo. Indianapolis/Cambridge: Hackett Publishing Company, Inc., 2010. Print.
The papers used in this book include 120g Magnani Arturo
Celadon, a variety of Japanese rice papers, 90lb Stonehenge Fawn, and Yupo paper. Images are drawn with ink pen and colored
pencil. The printing methods used include intaglio and silkscreen. The book is wrapped in silk and the boards are made from 1/4” MDF and 1/8” hardboard. The adhesives used include Jade glue and Gudy-O. Aluminum posts are used where parts pivot. The fonts used include Quadrata Roma Medium Oblique 25pt and Calisto MT Regular and Italic, 30pt.
This book is one of three in the series: Hermes, the Epiphytes.
Copyright © 2014
[signed]
Tammy Nguyen






















































